| Album
Marks: |
Discoloration
or heavy indentations on the corners of the cards from the acid, leaching
out of the antique album pages or from weight. |
| Archival: |
Any
museum quality material that will protect postcards for extended periods
of time. |
| Artist
Signed: |
Any
postcard that has a printed signature of the illustrator. This does not
mean that the postcard artist autographed the card, although examples do
exist. If the publisher has printed a byline clearly identifying who did
the work, the card is considered artist signed. |
| Chrome: |
Any
card after 1939 with a shiny paper surface. The term is derived from Kodachrome. |
| Condition: |
Refers
to the physical condition of the postcard. Terms used are Mint, Near Mint,
Excellent, Very Good, Good, Fair and Poor. |
| Deltiology: |
This
is the study of postcards; the person doing the research, a deltiologist.
Randall Rhodes of Ashland, Ohio, first used the term. It means (from the
Greek) the science or study (logos) of small pictures or cards (deltion). |
| Die
Cut: |
Any
paper cut by the publisher into a shape other than a rectangle, such as
the shape of an angel, Santa or animal. |
| Die
Cut Hold to Light: |
A
hold to light (HTL) postcard that transforms from day to night when a bright
light shows through the tiny holes cut on the surface of the card. |
| Divided
Back: |
A
postcard back with a center line to divide the address from the message.
Divided backs appeared in 1902 in England, 1904 in France, 1905 in Germany,
and 1907 in the US. This helps to date unused postcards. Cards before these
dates have undivided backs. |
| Embossed: |
Postcards
that have designs slightly raised above the card's surface. Heavily embossed
postcards have almost a papier mache style, that stands greatly above the
surface. |
| Ephemera: |
Any
printed or hand written item normally discarded after its intended use
such as calendars, postcards, tradecards and valentines. |
| Freecards
or Rackcards: |
These
cards are free postcards that you can receive from different companies
by way of a promotional gimmick, that is advertising their products. Some
people only collect this type of card. |
| Foxing: |
Brown
spots in the papers surface. These spots of mildew, penetrating the paper,
cannot be removed by erasing but may occasionally by removed by bleaching. |
| Gelatin: |
A
card with a varnish like coating producing a glossy surface. The surface
usually cracks or shatters. |
| Golden
Age of Postcards: |
The
years ranging from 1898 till 1918. |
| Government
Postal: |
A
postcard that has a preprinted stamp on the back. The government postal
office issues these postcards and publishers use them to print designs
and advertising messages. They were especially used before the Act of Congress
1898. |
| Hold
to Light: |
Any
postcard that creates a different image if held to the light. Some are
as simple as day to night, others as complicated as Winter to Summer. There
are die cut hold to lights and transparencies. |
| Installment: |
A
series of postcards designed to be sent one a day. The completed set forms
one picture. Some installments are vertical, such as an Uncle Sam figure;
others form horizontal, such as a running horse. |
| Linen: |
Postcards
published in the late 20s through 50s, using a textured paper with a cross
hatched surface. The surface resembles linen fabric. The cards romaticized
the images of gas stations, diners, hotels and other commercial buildings.
Using the photographic image of an establishment, all undesirable features,
such as telephone poles, junk yards, background clutter and sometimes even
cars and people were removed by air brushing. |
| Mechanical: |
Postcards
that have moving parts. It may be simple as a die cut top revealing a different
idea of the previous image when opened. It could be as complicated as pulling
a tab for a curtain to move and totally change pictures. Some mechanicals
have wheels that change the faces on a body or dates on a calendar. |
| Miniature: |
Postcards
done as a novelty during the Golden Age. They were about 1/2 the size of
the standard 3 1/2 x 5 1/2 inch postcards. They have stamp boxes and are
often postally used. The most desirable are those by the Scandinavian artists
or publisher John Winsch. |
| Novelty: |
These
cards include mechanicals and cards that have item attached, such as bags
of salt, real hair, metal medallions, paper applique, silk or even pennies.
Some novelty cards are die cut shapes or have holes in which fingers can
be inserted to make the postcard figures appear to have real arms, legs
or even a nose. |
| Oilette: |
A
term used by Raphael Tuck and Sons of England to refer to a particular
style of postcard production. The oilettes often looked like oil painting,
with noticeable brush strokes. |
| Old
Greetings: |
Old
greeting postcards are antique greeting cards. They were produced in the
early 20th century in the regular size. They were made especially for occasions
like Christmas, Easter, Get well soon, birthdays, etc. |
| Over
Sized: |
The
standard postcard size during the Golden Age was 3 1/2 by 5 1/2 inches;
the standard modern postcard size is 4 by 6 inches. Any card larger than
these sizes is considered oversized. Modern postcards are often called
continentals. |
| Pioneers: |
Postcards
issued before the Act of Congress in 1898. They carry instructions on the
back such as; Write the address only on this side - the message on the
other or Nothing but address can be placed on this side or This side for
address only. |
| Postcard
Mailing Lists: |
A
mailing list is a place where you can communicate with other postcard collecting
people. When you send a message to the list, every member of the list can
read it and then, if they wish to they can comment on it, answer it or
whatever. Its a good place to find new people to trade with! |
| Postcard: |
A
card specifically made with the intention that it could be used by itself
as a mailed message or souvenir. |
| Private
Postal: |
Postcards
produced, not by the government, but by private business or publishers. |
| Puzzle
Cards: |
A
European term for installments. In America, it refers to hidden picture
cards, jigsaw puzzle cards, rebus cards or anything that is a puzzle to
solve. |
| PVC: |
Poly
Vinyl Chloride, polymers derived from vinyl chloride used to make plastic
pages and sleeves. These can cause damage to postcards over time. |
| Real
Photo: |
A
term coined to distinguish between commercially printed photographic images
and an actual photograph printed on photograph paper with a preprinted
postcard back. Real photo cards are more desirable than commercially printed
postcards. Most real photos are one of a kind, while commercially printed
photographs were produced in large quantity. |
| Rebus: |
A
puzzle postcard on which words, phrases or sentences are represented by
pictures of objects and signs, the names of which, when sounded in sequence
afford the solution. |
| Sepia: |
A
dark brown color applied to photographs or other prints. Inky secretions
of the cuttlefish produce this coloration. |
| Series: |
Groups
of postcards that belong together in a collection. The individual cards
may or may not have been printed at the same time. More than just a common
topic; a series has a common artist and publisher. |
| Sets: |
Postcards
published in a group of 4, 6, 7, 8 or 12. These were sold in packets or
individually. Examples are; days of the week or months of the year. |
| Silk: |
Postcards
where silk fabric is applied to the design or the total image is printed
on silk fabric, then attached to a postcard back. |
| Topics: |
Postcards
that are not views, but are of subjects such as baseball, kites, cats and
golf. |
| Tradecards: |
Advertising
cards issued before 1900. Store keepers gave then away in products or with
the purchase of a product. They were very popular before the postcard and
were often times glued into large scrap books with other die cut scrap. |
| Transparency: |
A
type of Hold to Light postcard that creates its transformation with many
thin layers of paper. A total change in image is caused by strong light
behind the postcard. There are no die cut holes in the surface to achieve
this transformation. |
| Undivided
Back: |
A
postcard back without a dividing line to separate the message from the
address. Undivided backs on postcards help date the cards (see divided
back). |
| View
Cards: |
Postcards
that feature cities and places within cities, such as parks, main streets,
depots, store fronts, bridges and roads. They are not topics such as Halloween,
cats or Clapsaddle. |
| White
Borders: |
White
borders card are easy to recognise as they have a white border around the
edge of the postcard. They were printed in the early 20th century before
the linen postcards. They were made until the '30s. The view on these cards
aren't very clear and they were never printed on linen paper. Often, in
the stamp box, it's written; "Place one cent stamp here". |